ARMOUR

CREATURES, TEXTILES, 3D WORK

Armour

Taking inspiration from the armadillo’s fancy coat to create a layered, reinforced, protective motorcycle leather… scroll for to see how these concepts are actualised

Burnished leather scales glued to a plaster cast of my hand

Lobster

Armour is multifaceted. It can mean physical, symbolic, or emotional protection. It can be natural, artificial, beautiful, ugly.

This project looks first at animals’ armour, draws parallels to articulated medieval plated armour, and modern day protective clothing like barefoot shoes and motorcycle leathers.

Focus then moves towards symbolic and emotional armour, explored through coats of arms and tattoos.

An anthropomorphic character was developed during this process, and I aimed to capture the movement and motion of my garments through fashion illustration.

The physical bolstered by the emotional; coat of arms burnished onto leather, sewn to a shoulder pad

By studying and breaking down the components of a lobster’s body I was able to reimagine how the animal’s protective layer could be rearticulated for the human body.

Reflecting on the protective shells studied throughout this project, I aimed to make a stylised, character-ready, cartoony, protective garment

See below for the final pieces…

My exploration of tattoos and skin is continued through studies of the human form.

Experimentations with latex and skin texture led me to prosthetic makeup, showcased on the next page.

Coat of arms - developed study of medieval armour

Free hand pen on paper

Screen printed puff paint on calico

Pangolin

Anthropomorphic pangolin character inspired by textile experimentation.

Armadillo

Building on the armadillo’s round, protective shape, this tryptic aims to capture and express movement and dynamism